Then, it transitions to a crushing death march before another round of melodic beauty and dooming sadness draws it to a close. After the pieceful piano play, “Finding the Pieces” pushes through big, melodic atmospheres and pounding old-school Green Carnation licks. At the midpoint, the song calms to a gentle trudge until it explodes into a magnificent build with fitting vocal aggressiveness. “Journey Within” is a heavy-hitting introduction to the album, combining rasps with Andersen’s building cleans. But you can expect even more weirdness from Strange New Daw in the opening minutes of “Journey Within” and “Finding the Pieces.” That’s until they fire off into hammering doom riffs and pummeling, Light of Day, Day of Darkness-era Green Carnation goodness. New Nights Of Euphoria by Strange New Dawnīut that doesn’t mean you should expect another 4.0 from ole Grier. And, for once, they’ve released an album I can get behind and return to without bailing out part way through. The band has also pushed further into rock territories and spiffed up their progressive elements with key and piano atmospheres. For one, this new record is a good fifteen to twenty minutes shorter, resulting in more focused songs. But, having signed to Svart Records, there’s a clear difference between New Nights of Euphoria and the band’s previous albums. And he continues to provide his soothing voice to this latest effort. However, I have to admit that Roy Andersen is a better vocalist than The Only One’s Geir Solli. For all their progressive elements, Pink Floyd-meets-doom stylings, and builds, many of the songs drag on and ultimately end without a clear conclusion. No matter how I try, I do not enjoy either The Only One or Planet System. So, what’s in store for their third album, New Nights of Euphoria? Like their previous bands, the Botteri brothers have also progressed their sound beyond that simple formula, introducing rock elements, piano interludes, and records that are too fucking long. Twenty-fourteen’s debut, The Only One, sees the boys resurrecting the exact sound of Green Carnation’s debut, even going as far as hiring one of its guest vocalists. Come 2013, the Botteri brothers attempted it again with Strange New Dawn. After leaving both bands, Green Carnation and In the Woods… remained, drastically morphing their sound and pushing beyond the boundaries of long-winded progressiveness, orchestration, and flowing choirs. From here, they went off to form the mighty In the Woods…, hoping to expand on the sound of yesteryear Green Carnation. In 2000, these brothers helped create Journey to the End of the Night, Green Carnation’s debut album. Once upon a time, there were two brothers, one played bass and the other a guitar.
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